by Floria Thames
Floria Thames is a writer and artist… only occasionally, otherwise too busy with merciless day jobs.
Actually Floria is much more than this, but it’s how she modestly describes herself. Some of us like to call ourselves writers, and some of us are. I’m more of a scribbler myself, but Floria, she’s the real deal. She’s a class act, generous, compassionate, extremely intelligent, very well read, (a) sensitive, insightful and articulate (in several languages). She’s a very good artist as well…in fact, from what I’ve seen, Floria has swags of talents to share and brighten this world, and deserves every opportunity to do so.
I’ve known Floria for many years now. Throughout she has been my muse, my confidante and my inspiration, but we have never met personally. I am privileged to call her a very dear friend.
I am thrilled to bits that Floria Thames has agreed to write an article for this blog and hope with all my heart that this opens a door for her to show the world what she has to offer it. – Ellis
Probably Jean Cocteau defined him best: “Victor Hugo was a madman who thought he was Victor Hugo“. We all know that famous list from the “Dossiers Secrets”, published by Lincoln, Baigent and Leigh, back in 1982. But, to avoid getting biased by the “da Vinci codes” industry, let’s go further back, to the 1959 Classiques Garnier edition of “Notre Dame de Paris” and, there, in the preface, we’re told that Victor Hugo had spent four days with Charles Nodier in Reims, in 1825. And that these four days of tête-à-tête proved to be of great importance in the prehistory of the novel (Raymond Escholier said this, cited by J-B Barrere). Charles Nodier was (allegedly, of course) the Grand Master of the Priory of Sion until 1844, when Victor Marie Hugo will take over the helm, followed in 1885 (after his death) by Claude Debussy, only for the list to (“officially”) close with Jean Cocteau in 1963. Continue reading