2nd September 2018: Howlin’ at the moon. News & Features…ellisctaylor.com


Congratulations to Dana on her road to recovery!

Normil Hawaiians – The Battle of Stonehenge…..
Unslaved Podcast: Spiritual Practices (with Rupert Sheldrake)…..
Cathar Conference Coming in 2019…..
Big Cats III…..
Systemic Coercion…..
REVEALED: The shocking plight of America’s child brides aged as young as 13 who have been forced to marry their attackers – which helps their abusers escape justice under archaic laws…..
Ireland Wanted to Forget. But the Dead Don’t Always Stay Buried…..
U.K. Government UFO Research: The Real Picture…..
KLF – 3 a m eternal (Complete)…..
Mysterious Vanishings on Australia’s Highway of Death…..
Friday FARcast: John Dee & Edward Kelly, The Roots of Esoteric America…..
A reference to ley lines over 150 years before Alfred Watkins?…..
PETE SEEGER Where Have All The Flowers Gone (Live in Sweden 1968)…..
Marlene Dietrich UNICEF GALA 1962 ” sag mir wo die Blumen sind “…..
A Diver’s Encounter with the Monster…..
Lillith the Lynx…..
Lynx death zoo animal ban reversed by Ceredigion council…..
Lawyers Petition for 9/11 Grand Jury

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me and sidhe wolf

Because I wanted to…

A poem from my 2004 numerology book, ‘Living in the matrix’; inspired by Neil Hague’s beautiful painting ‘Cathar Portal’, the front cover illustration.

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‘The Convulsionists of Saint Medard’ by Brian Allan

brianallanspf2014_311x331Brian Allan is a personal experiencer of the paranormal and a prolific author of exceptionally researched books on mysterious phenomena and new science. He is a passionate and uncompromising investigator and commentator on all things mysterious. A formidable and true Elder Statesman of paranormal research.

He is the editor of the fabulous, free online magazine, Phenomena:
http://www.phenomenamagazine.co.uk
Brian Allan’s website: http://www.brianjallan-home.co.uk/

icasttheeout

Authors Note: This article is adapted from a chapter in one of my books entitled ‘I Cast Thee Out’.

 

 

Artistic portrayal of secours at a convulsionnaire meeting. Anonymous engraving from the eighteenth century.

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Singing the Changes: How Organised Religion Hijacked Music

brianallanspf2014_311x331Brian Allan is a personal experiencer of the paranormal and a prolific author of exceptionally researched books on mysterious phenomena and new science. He is a passionate and uncompromising investigator and commentator on all things mysterious. A formidable and true Elder Statesman of paranormal research.

He is the editor of the fabulous, free online magazine, Phenomena:
http://www.phenomenamagazine.co.uk
Brian Allan’s website: http://www.brianjallan-home.co.uk/

 

Introduction

The use of music and cadence in all their forms to codify and enhance spiritual awareness long predates all forms of monotheistic belief. Although it is arguable that the use of music in a conventional sacred setting dates from at least 3000 years ago with the founding of Judaism, for the sake of both clarity and brevity I will concentrate on its use within Christianity, particularly the Roman Catholic Church. That said, the music was originally in a form that would scarcely be recognised today; rather, it consisted of tuneless monophonic chants. However, a gradual evolutionary process gradually led to the introduction of polyphonic music which was originally strenuously resisted by the church fathers because they regarded this as in some way frivolous and not entirely in keeping with their serious message.

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