An excerpt from my 2006 book, In These Signs Conquer.
From the chapter: Claiming Our ‘First Born’
The Darkness is merciless in its pursuit of the Venii (the venerators), the bloodline of the Venus-faith – humanity. Working through its possessed agents it seeks to destroy and terrify us in every way possible.
Sarah Payne’s Painting
As some readers will be aware I have looked very closely into the occult aspects of perhaps the most depraved of sickening crimes, those against children. Every one of them bears the hallmarks of this evil presence this work is exposing. In July 2000 a delightful little girl vanished whilst out playing in Kingston Gorse, Sussex. Sixteen days later her lifeless little body was discovered in a ditch. A builder by the name of Roy Whiting was very soon arrested and charged with her abduction and murder. Somehow the police got a conviction even though there was very little real evidence from what I could see. I’m very glad they did. Whiting should never have been free anyway having already been jailed for attacking another child six years previously. The little girl he abducted and murdered was Sarah Payne, her name means “Moon Princess of the People”. Roy Whiting means “King White” – “White King” – “Fish-King” or “Fisher-King” – the Maimed King of Arthurian legend. The Maimed King I suggest would be Saturn – Moloch. A Fisher-King reverses Alcyone’s avian aspect the Kingfisher so is contrary to her.
Kingston Gorse (King’s Stone Gorse) easily suggests – White King plant (planet), which again would be Saturn. The name of the village gives the subliminal arrow to and the unconscious attraction for Roy Whiting. Of extreme concern for me is that shortly before Sarah was so brutally murdered she painted a very disturbing picture. It hung on her classroom wall and after she disappeared was photographed and printed in the Sun, a paper that has as its emblem the red sun – a Saturn symbol. I only came across it by chance and you can see the article and comments I made at the time on my website.51
At the top of the painting is a bristled man, naked under an apron (it appears), and standing between two golden columns. Before him is a black and white chequered floor. On each column is her name ‘Sarah’ written length-ways. Sarah as I mentioned above means Princess, or Moon Princess; but there is another layer to this. Sarah has written her name thus: SArAH on both columns. Could this be indicating a combination of two names, the small letter ‘r’ denoting this? Could SA represent Saturn and rAH be Ra, the sun? SA is used as an abbreviation for Saturn. If this is the case then SArAH represents Saturn Ra. I know people will be saying it doesn’t mean anything; she was only a child but I disagree. It is also entirely disrespectful to her spirit, which is wiser than any human intellect. As well, not that it makes that much difference, evidence for Saturn’s relationship with the god Ra was discovered on an inscribed fragment identifying Ra-Helios with Cronos, the Greek Saturn. 52
With this in mind the picture now portrays our galaxy – domain (black and white tiles) and tells us, I think, that this domain is ruled over by Ra (the sun) during the day and Saturn during the night. This is reflected on the floor with 35 squares (Saturn) and 35 circles (the sun) drawn in red on the white squares. It is difficult to ascertain how many squares there are in the original painting. Did the paper cut the bottom off the photograph? I’m going to stick my neck out here and suggest there were either 169 (13×13) or the apparent 143 (13×11). 169 does give us the aforementioned number 16 by natural addition (1+6+9 = 16) but we cannot see 169 squares. What we do know is that there are 13 squares across. At this point may I remind the reader that number 13 is Saturn’s number (1+3 = 4) and that the numerological value of the name Saturn is 11 (1+1+9 = 11). The name Moloch, as it is spelt in the King James Bible, also has a numerological value of 11. (Number 11 describes polarity, dualism and opposition.) The latter suggestion of 143 squares (11×13), whether there were originally 169 or not, is in my view the most potent; simply because this is the one that was brought into the public domain. The individual numbers 1, 4 and 3 relate to the Sun, Saturn and Jupiter (his son). We also see the Saturnian 4 enveloped in His number 13. Together the numbers add to 8, which although recently ascribed to Pluto is a factor of 4 and therefore a Saturnian number. Number 8 describes a shared domain, power, spheres of influence, time, so 143 is an appropriate number when viewed with the other essentials thus far described in the painting. Sarah’s body was discovered 16 days later on 17th July 2000, an 8 day (1+7= 8) and an 8 date.
There are 74 (7+4 = 11) squares that are not drawn upon; 73 completely black squares and 1 all-white square. Sarah’s first name totals 73 and then adds to 10, which when combined with the white square shows 101; a possible further replication of the man between the two columns. Adding 10 to 1 we achieve 11, the two columns again and the numerological value of Moloch – Saturn. Number 73 is the 4th so-called Star Number, a geometric pattern forming a centred hexagram (it looks similar to the layout of a Chinese checkers board).
The apron which the man in the painting is wearing has 33 studs. This sacred number 33 is regarded as a number of completion and perfection, attainment. In Freemasonry there are 33 steps or degrees and the number equates to the letter G. Child abuse, sacrifice and a need to make ones voice heard are all described by the esoteric number 33. In common with the cosmic theme of the painting, number 33 has the factors 3 and 11 which are the relative sizes of the Moon and the Earth.
There is something in the man’s left hand which I haven’t been able to ascertain. It could be a book or a wand, perhaps some other implement. I have received several suggestions including a cigar, a bottle, some mysterious occult torture device, and a trowel mostly from people who think that the painting portrays a Freemasonic lodge. I did have several emails from people who said they were or are Freemasons. One lady correspondent, from the Eastern Star, said that the picture was the subject of an investigation within Freemasonry, but I didn’t hear anymore about that.
Sarah’s painting has a definite otherworldly feel to it as if there’s some dimensional slip happening. And what is that to the side of the man’s right leg and painted in the skin tone? This painting has been up on my website almost since it was made public by the Sun newspaper on 5th July 2000. It has probably received more attention than any other page, many tens of thousands I’d guess. People have mailed me about it from all over the world yet I haven’t had one from anyone who knew Sarah or knows the painting.
A person bearing or living through the number 4, and its associates, attracts Saturn’s attention. This was disastrous for little Sarah and her loved ones. The numerological value of Sarah Payne totals 160 (16) and she was born on the 13th October 1991, a 13 day and a 7 date. This was the anniversary of the simultaneous assault on the Knights Templar in France in 1307. She was abducted and probably murdered on 1st July 2000, Princess Diana’s (another Moon Princess) 39th birthday. She had been playing dinosaurs! The number of the day (1) accords with the numerology of Sarah’s first name. Sarah’s body was found near to the A29 road. Saturn relates to number 29 because it matches a Saturn year of 29.4 years. (Remember how the Tiahuanacan year lasted 290 days?). 29 is another number that frequents these crimes and other tragedies. It is a very emotional number, one of great love and compassion, a Goddess vibration. Sadly it can mean “Loss of a loved one”. People born on the 29th of the month or living with the number may understand this.
I wonder, was Sarah predicting the manner of her own death? Was it purely an unconsciously motivated portrayal? How would a young 8-year-old girl know about these things; because they are there? I’d say, looking at her numbers she was a psychic little soul with a glorious imagination, and I bet she loved mysteries and magic, even more than most kids. I bet she saw fairies and fairy castles, star dust and carriages. She really saw them! She saw monsters too.
A wonderful energy comes from Sarah’s photographs and I’m sure she was an angel, a real one, a messenger from heaven who with this painting bequeathed us a priceless gift; the ability to see the invisible.
Real vision is the ability to see the invisible.
~ Jonathan Swift, author of Gulliver’s Travels
52. W. H. Roscher, ‘Planeten’, Ausführliches Lexikon der griechischen und römischen Mythologie, I-, Leipzig, 1902-1909